Battery's Robot shop

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Re: Battery's feedback corner (Battery Arts)

Post by Saya » Tue Nov 18, 2014 8:52 pm

Ooooh. Coming along nicely. If you need some idea of what a factory interior looks like, I'd just look at some reference photos by doing a search of a car factory online. Though, most I have seen are usually large conveyor belts flanked on either side by robotic arms.

Also, I would just like to say that Battery gave me an awesome early Christmas present. *points to avatar!* <3 Thanks again!
"If the time should ever come when what is now called science, thus familiarized to men, shall be ready to put on, as it were, a form of flesh and blood, the Poet will lend his divine spirit to aid the transfiguration, and will welcome the Being thus produced, as a dear and genuine inmate of the household of man."
- William Wordsworth

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Tue Nov 18, 2014 9:04 pm

My pleasure.
Last edited by --NightBattery-- on Tue Mar 14, 2017 9:49 am, edited 1 time in total.

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Re: Battery's feedback corner (Battery Arts)

Post by darkbutflashy » Wed Nov 19, 2014 7:36 am

Maybe I can help you a little, I'd worked in the the local Volkswagen factory years ago.
  • Make it two-story, that gives you more different factory sections to show. The section for bending/die-cutting steel plates is two stories in height.
  • If you only have truck ramps, the factory is rather small. Big factories -- I think all car factories -- have a railroad connection right into the building. Even if it's only a single track, the factory almost immediately looks more important if the steel coils and motor parts are coming on train cars.
  • Fembot frames aren't welded like car frames because they are hardly self-supporting. So the factory is mainly focusing on nuts and bolts, having a lot of turning lathes, and milling machines. CNC ones, of course.
  • Part if the factory is tools construction. Even more small machines there, plus grinding machines and so on.
  • Lattice boxes everywhere.
  • No conveyor belts. Instead, a lot of moving hangers and automatic ground conveyors.
  • No robot arms where not absolutely required. Moving robot arms are extremly harmful when coming in contact with the workers or other objects - toss them around with a single touch. They always need a safety cell so their use is limited to specific tasks like welding.
  • You need a line for manufacturing the wiring harnesses. Or, let them float out of lattice boxes unloaded from a train car.
  • Don't miss the paint shop. That's a cell with watered walls. Work is almost always done by robot arms. I'd show this with the top of the cell opened.
  • Plastic parts are usually done in *another* equally-big factory.
  • There is a testing range for each product part and one for the completed product.
If you think this through, the workers are cyborgs/fembots, too. Maybe some humans in tools construction.

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Re: Battery's feedback corner (Battery Arts)

Post by dale coba » Wed Nov 19, 2014 8:35 am

Maybe something in this collection of stock videos captures part of what you want to imagine.

http://www.pond5.com/stock-video-footag ... chine.html

(also still images)

- Dale Coba
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Re: Battery's feedback corner (Battery Arts)

Post by dale coba » Wed Nov 19, 2014 9:18 am

darkbutflashy wrote:If you think this through, the workers are cyborgs/fembots, too. Maybe some humans in tools construction.
Perhaps, the workers are parts of fembots?
- The Fantastic Four's receptionist was mounted, legless behind her desk.
(I recommend naked with long full hair like the top half of a mermaid.)

Pieces of the workers missing, their coverings simpler?
More than two arms?
What good is a head?
Once she has an arm, she can start to help assemble her body.

They assemble each other, while they themselves are still being assembled.
Worker n-1 puts the last touch on worker n (adds a wig), and worker n is complete
Worker n-1 next has a wig put on her by n-2.

Or: a car assembly line works from the sidelines, arms reaching to place parts into the middle. But a fembot assembly line could be two conveyor belts to bring parts to a line of forming fembots where arms and hands can reach out to pull parts in. Anticipating what pieces she will need, her signal goes back to have those parts placed in the queue. She stays in one place, and her pieces come to her for her to assemble herself by herself, and sometimes co-opting the use of the workers next to her.

I guess you've got a lot of shelves and baskets full of parts. I wonder how many of them you have to make yourself?

Is she in a hive mind? Is there a uniform or insignia? A color and design scheme?

If you get to the luxury/design/iphone stage of the tech, the factory should have the ambiance of a gym, a beauty/health spa, a luxury car dealership... perhaps a bit of temple.

Should there be a space like out front in a dealership, a cafe area where many of the completed units can pose and interact with customers? A fake beauty contest perpetually in its swimsuit competition? A bordello presentation line of selections?

In my no-human-torture Stepford, we'd have a Sleeper-melodrama area out back made up to look like the most punitive conversion facility, simulate the whole stereotype so that Owners may "negotiate" or "rescue" or "forgive" their Sleepers (with the Sleepers having to make certain drastic concessions to semi-automation). Or they could lecture and harangue their Sleepers, as the Sleepers are "taken off and into processing" which has already happened, so we could have our fun and catharsis without a real mind being tormented.

- Dale Coba
8) :!: :nerd: :idea: : :nerd: :shock: :lovestruck: [ :twisted: :dancing: :oops: :wink: :twisted: ] = [ :drooling: :oops: :oops: :oops: :oops: :party:... ... :applause: :D :lovestruck: :notworthy: :rockon: ]

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Wed Nov 19, 2014 6:59 pm

Image
Acknowledged
must add Paint shop,
sissy low weight androids will need external support frames,
human simulation/ interaction testing area that looks like a spa must be incorporated to finished product.
and pimps use trains.
great, i'll guide the drawing in those points like the commandments of an ancient evil god.


thanks a lot, now i have something to do better than 1000 pieces puzzles for this weekend.
of course the real file is like 20 times the size of the preview.
Last edited by --NightBattery-- on Thu Nov 20, 2014 10:31 am, edited 1 time in total.

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Re: Battery's feedback corner (Battery Arts)

Post by T-elos/Thurosis » Thu Nov 20, 2014 5:02 am

I haven't read all comments of the other member here, but I also want to help at least a bit.

About:
--Battery-- wrote:i truly wish i can create something that could be long remembered in the internet eventually. Of course, something lustful and pornographic i mean.
not some kind of generic fantasy tale that abounds in deviant art and that.
To make something, that could be remembered in the internet eventually, i think it's about making something which only a minor have done or nobody did before.
Or at least making something which others haven't done often, more often.

If it's about creating a story i maybe give you some advices:

For example, we see often in movies, series, pictures, a lot of stuff with the same content. (if featured a (female) robot)
(fan fiction excluded)

- They often sacrifice themselves for mankind (or for the person they love),
- or are the doom of mankind,
- if they have a minor role, they are the perfect lover (until they get damaged or until the regiseur wants to tell us people "search for a real woman...")
- If they have a slightly more important role then stuff like "meaning of Life, what does it mean to be human etc."
- If they have a combat role, they mostly only lose only a arm or a leg and maybe... only maybe some damage at the stomache region. (mostly supportive characters)
- if they have a comedy role, they are just slaves of 0 and 1... get damaged or out of control.
(of course there are far more which i could count up but i do not want to count up all)

But i often see that many of more "famous" regiseur/Story writer "maker of XYZ" or whatever how these "titles" are called, if they use an robotic character that, they use "0815" robotic characters with minor changes. They even often just use a female one (not that i'm complain about female robots) just for the cause "sex sales"...

I'm not saying that my stuff are more original/better than those above.

Now, i come to the point. If you see what the main stream made/are making then do something which is less "mainstream". So your work will become at least a bit more indiviual.
An other major point is, create something what YOU like!
~Everything is learnable! It only depends on the efforts that you give yourself!~

~ take a look at my at my Gallery :D http://www.thurosis.deviantart.com ~

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Thu Nov 20, 2014 10:23 am

Yes! It’s like the well of life of robot characters!
I guess all those roles are like that because humanoid robots as characters are a metaphor of Work, Duty, Technology and it's intertwining with Humanity and so the message that the robot is meant to give circles around being in favor or against those particular themes, i.e:

-a robot that sacrifices is the representation of Duty/Work even to the last consequences,

-a robot that turns against humanity normally has a motivation of freedom from W,D,H or is interpreting it's duty in a way that is harmful (Asimov was all about paranoic dangers of AI that do that, probably is never going to work the way he thought though.)

-loverobots, as you said are all about criticize Humanity or just to show two minutes in ghost of the shell or cherry2000 mostly to show moral decadency of badguys (fetish excluded), deviating from that give you things like chobits that needs comedy in order to don’t get flat…faster.

-the robot that is learning about being a limited version of a human, a human turned into a robot or something similar but (different/scary/inhuman/ worst /better/faster..str*coff*) from a human is too all about criticizing the mix of Technology and Humanity, its borders, its benefits, its horrors.

-Robots as warriors/soldiers are gore fans kosher substitute for non-sanctioned unclean violence and are mostly only summoned to give audience or the author the gladiatorial feast/he/she/they need and to put weapons in places humans wish they had weapons, to get to this violence normally it takes some build up, (politics in spaaace!)
Image

-And comedy, it basically is a satirisation of those main themes, all of them or only one.
Like: “ha ha let’s make robots act and be like bureaucrats because I hate their guts with all my brain’s and I want to show my hatred in an intelligent way so I can discriminate that particular group of people as something limited and below human kind that needs both to be reflected and laughed at the same time because some traumatic experience that I had because their inefficacy”
or “ho ho ho, imagine all the awkward shit I can make if I put a robot in the middle of a family and make it interpret the civil norms in their absurd literally way and it’s needed to be explained of all the things we give for granted just to realize we don’t understand them ourselves hohohohoho)

and so, I think escaping of those points is almost impossible because what can a robot be if not what a robot is supposed to represent? Perhaps the background is what makes a robot story shine!

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Re: Battery's feedback corner (Battery Arts)

Post by The Liar » Thu Nov 20, 2014 12:59 pm

--Battery-- wrote:I think escaping of those points is almost impossible because what can a robot be if not what a robot is supposed to represent? Perhaps the background is what makes a robot story shine!
Why do they have to represent anything? At least in context to humanity. Try thinking of them more in context to themselves.

Think about design.

Why was it created? What characteristics would be useful for this propose? What level of empthy and comprehension would be necessary to fulfill this purpose? What characteristics would be necessary to have that level of empthy and comprehension? How would one designed one way, interact with one designed the another way? How would these things think? Found a conflict or paradox? Well there's something to focus on.

One of the flaws I tend to notice with robot fiction is that they tend to either over anthropomorphize or make them totally mindless. (or irrationally personify human fear.)
All criticism of my work is both welcome, and encouraged.
My work is uploaded under the Creative Commons Attribution ShareAlike 4.0 license, so as long as attribution is given, feel free to disseminate.

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Re: Battery's feedback corner (Battery Arts)

Post by darkbutflashy » Thu Nov 20, 2014 4:42 pm

All points taken, I think that limitation on a number of ever-and-ever repeated topics is not particular one of robot stories but one of short stories instead. In a short story, movie, theatre piece, you cannot develop characters. They come prepped as archetypes and you as the writer use them. To distract from the lack of character development, the reader/viewer is often left unclear which archetype a character really is, and/or the affiliation is changed in the final twist, often mixed with the "message" of the piece. That's a thing ever-and-ever repeated in movies and short stories and got old on me loooooooong time ago.

Writing a far longer story, you get the chance to develop characters and if you do it right, a honest reader starts to immerse into that universe and you get the chance to touch him at the very heart without stagy effects. I think, the best thing an author can do is to repeatedly frustrate the reader about things the protagonist cannot do (yet, now, etc) and release him in the right moment. The release doesn't need to be ingenious (something short-stories and movies often long for, because they only have one culmination point), it just has to be at the right moment - when the frustration is so high the reader blames his personal antagonists in the story (depending on the reader's self-taken viewpoint!) but not yet the foolishness of his chosen character or worse - the author.

--NightBattery--

Post by --NightBattery-- » Thu Nov 20, 2014 7:58 pm

i really wanted to write something back but the only thing i can say is that you both made good points.
and that i guess flashy knows what he's saying about development if you read his STORY THAT I SHAMELESSLY PROMOTE BECAUSE IT IS MOST EXCELLENT



Image

Also i wanted to say that some time ago i wanted to make a funny short wordless story, you know, a little innocent looking strip that is actually inmaturely mature about a robot house wife that recharges faster than expected and finds her husband with a real woman that is the boss of said man and then... i run out of inspiration.
I don't know what to do, the logical step was to force her to make a sandwich ( :rotfl: )
but what after that?
how can i make funny a (thresome/lesbian sex) scene?
make her watch?
and what after that?
and what after the boss woman is satisfied?
how to end it?

So if any one is bored...
ideas are welcome.
Last edited by --NightBattery-- on Thu Nov 20, 2014 9:26 pm, edited 3 times in total.

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Re: Battery's feedback corner (Battery Arts)

Post by mangaman » Thu Nov 20, 2014 8:00 pm

i agreed with thurosis, all the types or genres he listed are usually a common pattern in theyre own area as far as mainstream goes. however if you go outside of the mainstream and creat something unuique itll be a hit.

and also on another note, msg me battery when you get some time, i have a proposition for you on a future story i have in the works i need your help on.
" >_> im spiderman....everybody gets one"

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Thu Nov 20, 2014 8:01 pm

WOAh. sure
Last edited by --NightBattery-- on Thu Nov 20, 2014 8:04 pm, edited 1 time in total.

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Thu Nov 20, 2014 8:02 pm

computer said i can only make certain numbers of pm's
(and i only made 3)...
...
there.
now this post is awkward.

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Re:

Post by darkbutflashy » Thu Nov 20, 2014 8:42 pm

--Battery-- wrote:i really wanted to write something back but the only thing i can say is that you both made good points.
and that i guess flashy knows what he's saying about development if you read his STORY THAT I SHAMELESSLY PROMOTE BECAUSE IT IS MOST EXCELLENT
Tricking me into continuing with the next chapter, eh? I had done it in march, then got frustrated about the story development being too slow. Month of non-writing blues. Need to rewrite a bit, will post it soon. Please stand by.
Also i wanted to say that some time ago i wanted to make a funny short wordless story, you know, a little innocent looking strip that is actually inmaturely mature about a robot house wife that recharges faster than expected and finds her husband with a real woman that is the boss of said man and then... i run out of inspiration.
:) Like the 100% DNA quote.
I don't know what to do, the logical step was to force her to make a sandwich ( :rotfl: )
but what after that?
how can i make funny a (thresome/lesbian sex) scene?
A man inbetween two women is ... a sandwich? (The boss could have selected "sandwich" from the wrong submenu.... Maybe even a joke about the different meaning of the word "menu"? That's hard without words...)

--NightBattery--

Re: Re:

Post by --NightBattery-- » Thu Nov 20, 2014 8:48 pm

darkbutflashy wrote:Tricking me into continuing with the next chapter, eh? I had done it in march, then got frustrated about the story development being too slow. Month of non-writing blues. Need to rewrite a bit, will post it soon. Please stand by.
He he, you got me there. :mrgreen:
--Battery-- wrote:A man inbetween two women is ... a sandwich?
Image
No, no, an honest to god sanwich this time.
..and a beer.

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Re: Battery's feedback corner (Battery Arts)

Post by zerodin » Fri Nov 21, 2014 1:11 pm

The Kardashian one in the gallery was damned hilarious. :applause:

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Fri Nov 21, 2014 5:27 pm

Thanks!
i wanted to do the butt-brain for a long time but didn't had anything to make it have *a little less* sense :mrgreen:
i find very enjoyable the idea of a robot girl, specially one that is meant to be very intelligent, important or serious having such a shameful design.
*************************************************************************************************************************************************************************************************************************************
Well...
now that Fembot central is back online i will keep just throwing my thoughts about stuff i would like to do to see if any one has any improving idea, or to the least entertain you a little while you browse in low activity days.

some days ago i said that:
--Battery-- wrote:Image
I would like at some point make a drawing with magnus robot fighter destroyin' a robot girl.
i haven't thought of it very well but i'll leave this idea here for opinions.
Regards.
And i have come to think that the great robot destroyer should destroy who seems as the great destroyed, escalating queen of robot Eroguro: Silver Raina.
I'll do my best to draw her as best as my computer and my lack of image edition knowledge allows me.
sketch:
Image

Regards.
Last edited by --NightBattery-- on Sun Nov 30, 2014 6:37 pm, edited 2 times in total.

--NightBattery--

Cake is a lie

Post by --NightBattery-- » Wed Nov 26, 2014 12:14 am

So...hey i started to use this manga studio program to draw, seems very convenient for everything except coloring and the pen is a liiiiiitle faster than in photoshop.
i made a micro comic contained in the latest image i uploaded that needs very little explanation as is basically the life of some one with a gynoid.
And since i found it very enjoyable i will expand it a little throwing out more exposure of the life of that couple from time to time until i have the visual equivalent of a story...hmmm...
oh, right, like Chen did once!
Is not the great thing i would like to make one day but at least is a way for me to create a little universe to terrorize.


Next scene: Angry in-Laws
sketch, or whatever it is called:
Image

seemingly i start to draw something as i start to imagine things while drawing something else.

Regards.

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Fri Nov 28, 2014 5:43 pm

I need a generic Pony name for something ASFR. give me one please.
better if it is a sexual pun

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Fri Nov 28, 2014 6:46 pm

--Battery-- wrote:I need a generic Pony name for something ASFR. give me one please.
better if it is a sexual pun
Last edited by --NightBattery-- on Tue Mar 14, 2017 12:24 am, edited 1 time in total.

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Fri Nov 28, 2014 7:18 pm

:rotfl: It's ok, i'll think it myself when i can't delay it anymore, but Thanks!! :D
then you'll understand what i was trying to do...

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Re: Battery's feedback corner (Battery Arts)

Post by 73737373737373 » Sat Nov 29, 2014 11:25 am

Input Driver

That's the best I got

--NightBattery--

Re: Battery's feedback corner (Battery Arts)

Post by --NightBattery-- » Sat Nov 29, 2014 11:44 am

Is too late now ͡° ͜ʖ ͡°
http://www.fembotwiki.com/index.php?tit ... ery028.jpg

but i greatly appreciate it.

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Re: Battery's feedback corner (Battery Arts)

Post by 73737373737373 » Sat Nov 29, 2014 4:25 pm

Oh okay.

I sad now

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