The Executive Suite (at a fembot company)

[dale coba]

An executive of a fembot company would use a fembot secretary, for discreet play as well as work.

An executive dealing with problems with the product line would dictate to and collaborate with a fembot secretary (a sleeper). The secretary's designed to block out the notion that she's one of the company's machines - but details emerge as they compose a letter to go out to shareholders or customers, details that implicate ever stronger that she a robot. Beyond the executive problem at hand, once that's resolved, then it's a matter of finishing driving the secretary into overwhelming arousal, fembot-style.

Some steps along the way:
- it's a malfunction problem they are discussing...it's not clear at first that these are intentionally programmed experiences; the problem could be they too easily crumble in the face of revelations, or that it's too hard to get it through to the fembots. Nothing too lethal or unpleasant.

- she can perform computer/internet-related tasks without a device, check the company files or look up something on-line, but she acts like that's a normal human thing.

- she believes herself to be familiar with the company's product, so the executive and she can both talk in detail about any aspect. The secretary performer gets to shape the idea of what a fembot really is in this scene, anticipating the malfunction/orgasm as she feels to perform it.

- the model with the malfunction issues has her same name, and a few physical details mentioned match her appearance.

- near the end, point out to her that she's just been "writing" with a stylus on a yellow legal pad, as if that were enough.

Then the executive can knock off work, and have fun.

- Dale Coba

[tectile]

Another great idea Dale.

Someone please make this.

[Jazzfan]

I second that!

Make it please???

[EvangelinevonWinter]

An executive of a fembot company would use a fembot secretary, for discreet play as well as work.

An executive dealing with problems with the product line would dictate to and collaborate with a fembot secretary (a sleeper). The secretary's designed to block out the notion that she's one of the company's machines - but details emerge as they compose a letter to go out to shareholders or customers, details that implicate ever stronger that she a robot. Beyond the executive problem at hand, once that's resolved, then it's a matter of finishing driving the secretary into overwhelming arousal, fembot-style.

Some steps along the way:
- it's a malfunction problem they are discussing...it's not clear at first that these are intentionally programmed experiences; the problem could be they too easily crumble in the face of revelations, or that it's too hard to get it through to the fembots. Nothing too lethal or unpleasant.

- she can perform computer/internet-related tasks without a device, check the company files or look up something on-line, but she acts like that's a normal human thing.

- she believes herself to be familiar with the company's product, so the executive and she can both talk in detail about any aspect. The secretary performer gets to shape the idea of what a fembot really is in this scene, anticipating the malfunction/orgasm as she feels to perform it.

- the model with the malfunction issues has her same name, and a few physical details mentioned match her appearance.

- near the end, point out to her that she's just been "writing" with a stylus on a yellow legal pad, as if that were enough.

Then the executive can knock off work, and have fun.

- Dale Coba

Can you given a more detailed story idea? Im not quite getting this. Sure I'm being dense this morning without any coffee.....

[dale coba]

The overt narrative flow is talking through a problem with the product. In parallel, the erotic narrative builds and eventually takes over.

Since the secretary is herself an unaware product of the company, her identity as a machine can emerge in stages - as something we suspect; then as the executive demonstrates; then the sleeper struggles not to awake - but she fails, and is revealed in all her glorious sexual objecthood.

At first, she's stopping in to discuss that glitch they've been working on; she seems like she could be an executive, but then she accepts the Madmen role (her personal status is going to go down a lot more later).

The glitch also seems to be an unwanted, unsafe flaw. But really they are working out the last details, to ensure the experience will be entirely safe and fun. Like if you knew you couldn't be hurt, how much fun would it be to "escape" through a Westworld park perpetually pretending to have gone all Yul Brenner apocalypse?

Maybe she feels compelled to strip - some embarrassment applies social pressure, her reaction overwhelms her processors, and the more fundamental character of a sexbot emerges. Beneath a beautiful woman's facade lies the purely "sexual animal" - instinct, performance, lust - struggling to break free of socially-imposed propriety.

The glitch is eventually shown to be a good thing, and once again we're pulled along progressively towards the desired, inexorable, sexy conclusion.

- Dale Coba
(it's late. I can refocus this more, I'm sure. Glitching is a very wide-open thing. Something overwhelms the polite and proper reaction she wants to have, and some chosen trait like touching herself emerges.

Call it: The Strange Case of Dr. Jacqueline and Miss-firing Hyde. Don't, but that's the thematic source in snappy pun form)