Finding the Drama

Share and collect your fembot video and art ideas with our artists and video producing members.
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dale coba
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Finding the Drama

Post by dale coba » Sat Jul 14, 2012 9:43 am

1) a story needs drama
2) themes of control and dominance are central to the fembot fetish

Naturally enough, a common approach is to set the Maker against a victim.
That makes a sort of sense, that they should struggle over his plot, that she should whimper, and lose out to him in the end.

However, we've seen that lots. My kind gets a bad rep for the element of cruelty (go tell the Vampires they're cruel, m'kay?)

There's another way - locate the drama within the fembot's own internal struggle.
If you start with a sleeper, endless conflicts can be arranged,
between two aspects of her programming,
or between her programming and the demands of the situation.

The world of fembots, like porn, can follow its own rules - whenever possible, lead to sex. If the t.v. repairman shows up, that's a perfect opportunity in the magic land of porn-logic. Fembots can be programmed to reveal themselves for whatever reason and through whatever response we find arousing. Inside a fembot resort, the outside world's logic doesn't apply. The Programmer defines what the sleepers know, and what they can discover about themselves. When the crisis has been reached, the pre-programmed responses are at first flirtatious hints - perhaps a human's response, perhaps not. Increasingly, the dual points are driven home - that she is incontrovertibly a fembot, and that to be a fembot in this porno-dream world is to be egoless, empty, submissive, objectified, sexually available and subject to uncontrollable horniness.

As a robot, she's durable, computer-smart. Why is she not independent?
She is perfect for her Owner, because she has one imperfection - with no will of her own, she needs to be used to rise to her potential. Without that flaw, what is the need for an Owner? Beauty needs to be ogled, fembots need to be revealed - like a flower blossoming; like taking possession; like taking her virginity.

Whether the fembots only think they were always human, or whether they were once human then converted, they can't tell the difference. Starting with some template personality, putting her through scenarios and adjusting her responses amounts to progressively building up her characteristics, "organically" growing a finely-honed creature. Sure, you could just program all that in directly, but blah-blah true craftsmanship blah-blah realistic psychology...

The only sense it has to make is porno-sense. Like saying,
"This fembot encounter reveals what is truly great about sexuality in this,
the naughtiest of all possible worlds."
Perhaps in this porn-world, young women all have nanites set to go off at 18, but no one tells them. It's normal, to keep it secret until afterwards. The birds and the bees, and the 'bots. Sinister and perverse and etc. and NORMAL. Sleepers, acting like, "Oh, well. It happens - best not to make her feel awkward."

Feel free to escape from the rules of real-world drama, where the objectifiers are the villains.
In fembot porn, we are artists, magicians, dominators who enable the submissives to express themselves and captivate all with their sexual prowess.

- Dale Coba
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EvangelinevonWinter
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Re: Finding the Drama

Post by EvangelinevonWinter » Mon Jul 16, 2012 11:06 am

I want to thank you for this.
While we have been relying heavily on our own sense of direction
Its nice (very nice) to have a well written compass to help guide us.
I am going to sit down with willie with this over dinner tonight
(instead of playing L.A. Noir)
And see if this can help us get a few plotlines going.

Thank you again
If you have an issue that needs resolving right away contact Levi via twitter. its the 100% quickest way to get our attention.
https://twitter.com/WilfredoMelen12

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dale coba
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Re: Finding the Drama

Post by dale coba » Mon Jul 16, 2012 12:01 pm

For your thanks, you are most welcome.

Over the last decade, here, on MCStories, and USENET,
I've read so many short stories.
I try to drill down to their fundamentals.

What I have found resembles the dynamics of vampire sexual drama,
  • (classic Hammer films-style)
but the Owner/Maker isn't sick/affected/different like a vampire.
The dominance is more certain in this world.
His place at the top of the order isn't at risk,
while a pretty lady can be expected only to descend the power ladder,
by becoming irreversibly mechanized, or discovering that she already is a robot
  • (and does she even merit the status of a former human?
    or was she built from scratch, based on no one?)
The Vampire has to fail, ultimately to die.
He is ancient, diseased, of the past and incompatible with the future.
The Owner/Maker of fembots is free from all that sex-guilt baggage.

Maybe borrow ideas from the vampires,
check for any fundamental contradictions with the fembot games played here,
  • maybe one tweak to fit it to this fetish,
then sprinkle to taste with sparks and smoke effects, twitching vixens and heads-up displays.

- Dale Coba
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ministrations
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Re: Finding the Drama

Post by ministrations » Mon Jul 16, 2012 3:07 pm

That's a very interesting comparison, vampire to fembot. Especially when you consider that the vampire's powers are often embodied in the fembot and the vampire's human frailties are usually embodied in the owner.

Not to take away from a post I really like, but I'd disagree that control is an absolute necessity in a fembot story, or video. I'd say the lowest common denominators fit into these two lines:

1) objectification -- kind of hard to get around that
2) otherness

Objectification takes on two roles here; the fembot is created literally as a tool and/or was given great beauty for a purpose. Otherness is the special sauce -- we have our own uncanny valley between clearly human and clearly fembot. The bar is set at different levels for each of us, but good fembot storylines convince us that there's no way this character could have come about in nature. These are basic concepts, I know, but I see an alarming number of interpretations of ASFR do just fine with the former concept and either ignore or butcher the latter.

Control is a very logical extension of objectification, but many good stories and videos feature fully self-willed, sentient fembots who drive the action as much as the owner would in a control story -- Robotman's "36+1" shows this, as does VICI's ongoing saga and countless others. In fembot porn, I'm sure control will always be a major element but doesn't always need to be the crucial element.

I've been totally slammed at work, but I do intend to share some ideas on and off these lines soon.

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dale coba
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Re: Finding the Drama

Post by dale coba » Mon Jul 16, 2012 8:37 pm

No disagreement with you about stories in general.

For the sake of porn, though, the sentient robot can not be fully Owned as an object.
If nothing else, she would have a self.

The lustful drives of our deeper reptile brain have no rational empathy for their target.
When we play, we indulge our drives.
If there's no play for power... it might not make for interesting porn.

- Dale Coba
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Re: Finding the Drama

Post by ministrations » Tue Jul 17, 2012 10:27 am

All good points. There are still definitely ways to create drama without falling back on the power play between a robot and master. A superheroine storyline comes to mind, for instance, where a fembot can defeat a villain because she isn't affected by whatever is disabling/hypnotizing/killing the other heroines.

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